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What is the best format for making movie to DVD and retain the best resolution?

Last post 11-06-2009, 12:24 by oceanol. 26 replies.
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  •  10-30-2009, 14:06 350381 in reply to 350217

    Re: What is the best format for making movie to DVD and retain the best resolution?

    bsdennis:
    Marc P.:
    bsdennis:

    I would still be concerned about the difference in frame rate of 8mm film (typically 15-16 fps) vs 30 fps (29.97) for NTSC television.

    We capture 8000 - 9000 ft per month with a frame by frame method using a 3-CCD camera via Firewire to avi files in a custom built computer. We capture directly off the emulsion vs. projecting onto a screen. We then use software to "double" the frame rate, duplicating each frame to eliminate the flicker inherent with 15 fps film. More of our customers are editing their own film/video so we have added a service in the last few months. We copy the resultant avi files to a customer provided external HDD and ship it back to the customer. The video should remain in avi format until the final render to DVD.

    We have transferred over 1.4 million feet of 8mm film using this method and have had ZERO complaints/returns. If you are seeking the best quality transfer, please find a company in your area that follows the steps above. Movie  Movie Movie Movie

    You will not regret it.Yes

     Steve

    Digital Concepts

     

    Mind sharing the capture settings that you use?

    Sorry for the delayed response Marc...

    I use a third party software to capture to avi. CineCap is written specifically for the WorkPrinter series of frame-by-frame capture equipment. This software also provides frame rate manipulation.

    Movie

    I tried various schemes to do this directly in Studio (and Liquid) with no substantial success. Sad

    I appreciate the follow up. Smile
  •  11-06-2009, 12:24 352050 in reply to 350381

    Re: What is the best format for making movie to DVD and retain the best resolution?

    Clean the 8mm by hand using powerful chemicals (Google it; I used the product Goo Gone). The film emulsion is incredibly strong, but will probably have picked up mold and such over the years which you have to physically rub off. Film contains an incredible amount of information. i.e., quality and it;s worth the work to bring that out.

    I used a commerical house for an hour of footage at $400. They used a sprocketless telecine machine. They offered a manual color correction option , in which an operator sits by and corrects as the 8mm rolls. That was another couple of hundred so I  declined.  The result mini-DV tape I received was disappointing. It was washed out and the colors were terrible.  I used a reputable house and I live in Los Angeles, where folks are supposed to know how to do this stuff. Given the expense, I would ask for a sample of your footage from any pro house before committing to a large payment.

    Subsequently I began making my own transfers (Google it). Basically you just video a small projected image of your film. The problem to solve will be flicker, and the flicker will depend on your equipment. Adjustable frame rate projector is good. I don;t have one.

    Unfortunately, my digital camera makes a hash of recording projected film. The flicker is profound. However, if I use an old analog video camera to record the projection (on white or off white paper, not a 1950s-era "move screen", with reflecting surface) , the flicker is hardly noticeable. Then I convert the VHS-C to DV, camera to camera, and load the computer from there.

    8mm and S8mm  were superb media. It's all still there if you can capture it.

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